I am deeply honoured that one of my short stories was selected for ‘The Best of The Horror Zine – The Middle Years’ now on Kindle and Amazon. The Horror Zine is one of the oldest places for horror and dark fantasy, and this issue features the best of the best; I remain truly touched to be included among them. Be sure to check out all these amazing writers #supportindieauthors
I am very excited to be an Amazon Author, and now my work is on Goodreads too. I adore doing book reviews, so please drop by my Goodreads Author page, and if you’d like me to review your work I’m happy to oblige. Drop me a line by email firstname.lastname@example.org
As an added bonus for Kindle Unlimited subscribers, I’ve just released two twinned compilations of short stories — LIGHT and DARK each filled with a selection of favourites and newly published short stories.
TWO FULL NOVELS ON AMAZON:
FREE TO KINDLE UNLIMITED SUBSCRIBERS
BEAR is quite possibly the most realistic paranormal shapeshifter romance you will ever encounter, bushcraft is real, and bears act like, well, bears.
In the midst of a turbulent divorce, Kate sets off to check out her recent inheritance, a small cabin nestled in the mountainous wilderness of Colorado.
As Kate arrives in town, she meets Reid, a local outfitter and backwoodsman. After convincing him to be her guide to the remote cabin, the two are trapped by wicked snow squalls, rendering the mountain impassable. Trapped alone in the cabin, the two are drawn together by a force neither can deny.
Once together, they are driven apart by explosive tempers, long distances and a darker secret…
In a journey through love, longing, and a mighty shade of pissed off, their relationship follows the path of a faded love story, emerging from a handful of letters found in the cabin… and a dark shadow in the wilderness.
Lot 149 is a graphic horror story about Keira, a recently divorced woman who purchases a decaying old farmhouse with a truly spectacular history.
The farmhouse was bought cheap – power of sale, and at stroke of a pen, Lot 149 was hers –
“It’s just a light flickering, must be faulty wiring or something – isn’t it?”
Country living, a tidy divorce settlement and a job promotion that allowed remote work – this farmhouse would be a fresh start for both Keira and her son Tad, a break they so badly needed.
“Sure it needs work — but don’t we all?”
Leaving the big city behind, Kiera embraces country living and is intent on following the latest developments in organic farming; however, she soon realizes how much work is involved in restoring the farmhouse. To help with repairs, she calls in Frank, a handyman and pest control guy.
“It’s a house with a history, that’s all. Plays tricks with your mind. Most old houses are like that.”
And then they realize what being in full possession of Lot 149 really means…
LIGHT — when memory plays tricks on you, and the shadows flickering at the corner of your eye become so much more – or when things are never just as they seem – this is the place where true magic exists. Foxes, snow globes, knitting needles, and a foreign ambassador come together in this diverse collection of short stories.
LIGHT contains some of my favourite short stories, ‘lighter’ in tone than my usual horror, they all play with your understanding of what reality truly is.
And, dear friend, be careful what you wish for… because you might get more than you expected.
DARK — alien insects, blood spatter, serial killers, crows, and holiday shoppers – all with a darkness.
Let’s face it, bad things happen, and not everything can be explained. Welcome to the dark side.
(OFFICIAL NOTICE *Trigger Warning* for the DARK collection – there is some heavy stuff in that book)
LIGHT / DARK are companions to each other; and yet each book stands alone. This twinning of short story collections brings together the highlights of fantasy and adventures in darkness.
WHAT AND WHERE
For the latest on where to find me, check out Twitter or Facebook (or even drop me an email). Be sure to check out my Amazon Author page — Liz McAdams and my Goodreads Author page and reviews on there too; and hey, I’ve even crept into Instagram (shhhh… don’t tell anyone 😉
The Sundial by Shirley Jackson
Rich people hide inside their mansion, isolated from the peasant rabble, and there they sit, surrounded by the luxury of generational wealth, waiting for the end of the world…
I re-read this one at the beginning of the pandemic when everyone was stockpiling groceries and TP… and had to laugh when I came to the part in the novel when the characters burn all the books in the library only to fill their shelves with groceries and TP.
Things change, the more they remain the same…
The Sundial is a dark look at human nature, told through the eyes of Shirley Jackson, and one familiar with her personal history as an affluent West Coast debutant-turned bohemian New Yorker transplanted to rural Vermont will understand Jackson’s casting of the villagers as always ‘other’ — a slightly savage force to be endured, while the highly diverse and at times, hilariously misfit, collection of wealthy characters huddled together inside the mansion maintain their rich comforts… even one crowning themselves as leader in the new world.
The darkly hilarious portrayals of wealth and privilege at the expense of the working class are what make Jackson’s work so powerful; this is beyond a preapocalyptic prepping story, this is a story of the self-declared chosen few and their entitlement, which remains truly terrifying.
Gone with the Wind by Margaret Mitchell
My rating: 4 of 5 stars
I’ve been reading & rereading near annually GWTW since 1996 – AAAAND (big sigh) although I’d argue this is a feminist piece (as women such as firecracker Scarlet, horse loving Mrs. Tarlton, & notorious prostitute Belle) are able to live their lives & earn a living in their own way (although Mrs. T never gets to ride her mare Nellie because she’s too busy taking care of the plantation) — this is an inherently racist book.
All Black characters are described in animalistic or child-like manners, and although Mitchell is careful to give the appearance of kind, benevolent relations between master & slave, this is clearly propaganda for a place that never was.
After the George Floyd riots & calls to remove historic statues celebrating the oppression of Black people, this becomes a book through which one must cautiously tread.
Scarlet, as a privileged white woman, is forced to overcome her socialized gender role expectations (of wealthy plantation daughter) and provide for a family who can no longer care for themselves. She gets here hands dirty, works her @ss off, and understands money is the only thing that will keep her safe. She does whatever it takes to provide that stability. All of this is admirable.
The uncritical depiction of slavery in the South is less so (Blacks depicted remain fiercely devoted to their oppressors) and one questions if Mitchell allows Scarlet to break her bonds, why not of the people she is dependent on as well?
Note: the review & rating is still pretty positive because overall, the book is well-structured, well-paced, and shows a complex array of (white) characters, especially as Scarlett takes on care of those dependent around her, and how she is literally dragged down by their incompetence and failure to adapt with the times. I found the change in Scarlett throughout the novel refreshing — a fall from grace, and reformation, and yet as so many others have mentioned, this novel retains it’s racist core, even in light of its publication (1936) between World Wars.
Margaret Mitchell, having lived on the cusp of racism and genocide for most of her life (born in 1900 to an affluent Southern family), in GWTW it feels like she sought escape from the discomfort of war that surrounded her in immediate life by creating a past that never was.
You can see my reviews at Goodreads.com & be sure to visit my Goodreads Author Page